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$230M TO MODERNISE RAILWAY SECTOR

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The government has approved a sum of $230million for the Ministry of Railways Development to purchase standard gauge rolling stocks as part of measures to modernise Ghana’s railway sector.
This is to ensure that by the time the rail lines, both the new ones and existing ones being rehabilitated under the Ghana Railway master plan, are developed and ready, the rolling stocks would be available to test the lines.

Rolling stock in the railway industry signifies any vehicle that moves on a railway line, both powered and unpowered vehicles, such as locomotives, railroad cars, coaches and wagons.
The orders for the purchase are yet to be placed, saying this is to enable consultants in the sector carefully decide on the type to be purchased.
We are buying 30 locomotives; we are buying coaches; we are buying wagons and so on. We haven’t placed the orders yet, because we have consultants who are looking at what kind of cargo we need, vans that can take oil and so on.

Mr Ghartey told journalists that it takes between 12 to 18 months for rolling stock to be ready after it has been ordered.
He added that, hopefully, some of the stocks are expected to be in the country latest by September this year.
“The least time to get a rolling stock is between 18 and 12 months. Rolling stock is not like a car you can buy and so we are running out of time.
“There could be a situation where some of the lines would be finished and we will have no rolling stocks to test them,” Mr Ghartey said.

Mr Ghartey noted in addition that the development being undertaken in the railway sector is to ensure the well-being of Ghanaians, devoid of political gains.
“We are developing this nation for Ghanaians, regardless of political affiliations. That is the vision of President Nana Akufo-Addo and a vision that I will assist him to achieve,” the Minister said.
Responding to fares, the Minister said the Ghana Railways Company has reduced it to GHC3, from an initial amount of GHC5, for passengers on the Accra-Tema route.
He explained that the reduction in far is to ensure that more people would patronise the service.
Mr Ghartey admitted that patronage of the train service following the launch of the Accra-Tema train shuttle service has not been the best.
“Patronage, I must confess, could have been better. We’ve tasked the Ghana Railway Company to look at it and even with the GH₵3 per person, they’ll look at it,” he said.
“They won’t look at it in terms of reducing it, but I agree with you that a flat rate has its own problems. And you must put in place a system that allows people to pay different rates for different rides. It is work in progress,” he added.

In addition, the sector Minister said, the final engineering design speed for the project is 160kn/h, with an axle load of 25 tons, from an initial 22.
It consists of the Western line, Takoradi–Kumasi (435.4km with branch line from Dunkwa to Awaso), Eastern line, Accra–Kumasi( 303.9km), Central line, covering Kotoku-Huni Valley(198.84km), Central gap, Kumasi-Tamale (373km) and Tema- Paga(783km).

GENERAL NEWS

Cozy Riddim and Yadozie Release Powerful New Single “Biko Baby” – A Fusion of Afrobeats, Dancehall, & Modern R&B

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This dynamic track is now available on all major streaming platforms, bringing together the rhythmic beats of Afrobeats and infectious ass of a Dancehall track with the soulful tones of modern R&B.

“Biko Baby” is a vibrant anthem that captures the essence of contemporary African & Caribbean music, blending infectious melodies with heartfelt lyrics. The song is a plea for love, evoking both
joy and longing through its captivating rhythm and emotional depth.

Cozy Riddim and Yadozie’s collaboration showcases their unique ability to create music that resonates with audiences across the globe.

Cozy Riddim, known for his innovative approach to Afrobeats, and Yadozie, celebrated for his smooth vocal delivery, have crafted a song that transcends cultural and musical boundaries. “Biko
Baby” is a testament to the artists’ dedication to their craft and their commitment to pushing the
limits of genre and style.

“I wanted to create something that speaks to as a testament to my love for Afrobeats and Dancehall” says Cozy Riddim. “Biko Baby is about connecting with that special someone, but it’s also about the universal experience of love and longing while incorporating a bounciness capable of being played in clubs and parties. Yadozie brought his incredible vocal talent to the track, really bringing it to life, and together we created something truly special.”

Yadozie adds, “Working on ‘Biko Baby’ was a unique experience. The synergy between our styles allowed us to explore new creative territories. I believe this track will resonate with anyone who has
ever felt the intensity of love & lust along with the celebration of multiple cultures.
“Biko Baby” is more than just a song—it’s an experience. It’s a celebration of love, culture, and the power of collaboration of music cultures.

About Cozy Riddim:
Cozy Riddim is a rising Nigerian producer in the Afrobeats scene, known for his innovative sound that blends traditional African rhythms with contemporary influences.

His music is a reflection of his roots and interests and his vision for the future of African music.

About Yadozie:
Yadozie is an acclaimed Nigerian artist whose smooth vocals and emotive performances have earned him recognition in the music industry. His work is characterized by its lyrical depth and its ability to connect with listeners on a personal level.

Follow Cozy Riddim on social media:

Instagram: https://www.instagram.com/cozyriddim/
Tiktok: https://www.tiktok.com/@cozyriddim1

 

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GENERAL NEWS

DEBUT ALBUM: Miriam Mandipira & The Soul Family

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DEBUT ALBUM by Miriam Mandipira & The Soul Family!
You’ve never heard a voice like Miriam Mandipira’s. Undeservedly, she doesn’t take credit for the power or presence she delivers. For Miriam, music is much more than just notes and words. It’s
magic. And faith. You can experience it LIVE and on the album, which is set to be released on September 1st.

She has been singing for as long as she can remember, growing up with her ears glued to the radio.

From the moment her school teacher asked her to sing in class, the rest has been history. From Africa to Denmark, from Book Café in Harare to Mojo Blues Bar and the big concert halls. From
Danish Radio Big Band to the Royal Theater. Music is music, and Miriam is the music.

“But it’s not about me when I sing. I’m just the instrument, and when I’m on stage with my band, I sing from a place that’s not about rules and technique but about emotions,” says the singer, who is
seriously trying her hand at songwriting – together with her Soul Family on the album “Ndiwe”, which means ‘you are the chosen one of my heart.’ The overall message is impossible to ignore
Love.

“Call me a soul singer, call me a jazz singer. I don’t care. Good music is good music, and I love interpreting other people’s songs and being inspired. At the same time, I think it’s great to try my
hand at creating and writing the songs myself – and with my friends in the Soul Family, I have found my place. They are my family, and the curiosity and respect we share are fantastic.”

You can experience that up close when Miriam & The Soul Family take the stage. The enthusiasm for music and communication is impossible to ignore and hear.

“I love to maintain the feeling of being a child. It’s an excitement and curiosity that keeps me going, and that’s why I’m so excited about every single concert – no matter how small or large it is.

Otherwise, I would never do it. This is not just a casual thing. This is a life, and everything means something,” says Miriam, who began her years in Denmark by jamming at Mojo Blues Bar, building a network.

Enjoy

 

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