MUSIC
A Recap Into Artiste, Shatana’s Musical Journey, 2022
Music songstress and philanthropist, Shatana’s 2022 has been very eventful. Although she encountered hitches at a point, it all rounded her year up perfectly.
Shatana kickstarted the year with a high tempo groovy freestyle she released in March titled, “Ate Afaso”, which translates from the local parlance to mean, “it has overflown”. She articulated that all the good things in the year would be in abundance for all to enjoy.
Check out the song from below.
The second release, “, Indomie Generation” which was an Amapiano vibe. The songstress through the song talked about how most girls of nowadays would love to slay their way through life instead of learn chaste values.
Check out the song from below.
The wonderful musician then followed the second song, “Ati Afaso” with a political protest song titled, “Anfa”, during the early days of May, 2022. The song which was a drill jam, satirically advocated for better system of governance to help all and sundry in the country to live well. Shatana foiled how the government in power promised the general citizenry goodies they were to fulfill when they come to power but once in power, none sufficed. “Anfa” became big due to its message and got spins from DJs on various radio stations and the streets.
Check out the song from below.
The congenial musician followed up with a song in August dubbed, “Lipo Lipo”, which advocated against body enhancement which was on it’s peak in the year of review. The song, “Lipo Lipo” is a song that advices people especially women to desist from going under the knife to enhance their bodies by a process called ‘Liposuction’, (a cosmetic procedure used in plastic surgery). Shatana advised the youth to deter from the practice because the effects of it was dire. The song immediately got massive airplays on the airwaves because it was also during the time that most celebrities were normalizing the act.
Check out the song from below.
Shatana dropped her last project of the year, “Sika MpƐ Dede” in November. The musician vigilante bantered ironically a statement by the president, His Excellency, Nana Akuffo Addo in his last ‘State Of The Nation’ address. The president who used the proverb, “Sika MpƐ Dede” first, to wit meant that the populace of Ghana should limit or better still stop agitating over the excessive hardships and surged economic crises because, where there was so much “noise” and unrest, money could not be made there.
Shatana as a social activist had laid the exact words, “Sika Mp3 Dede”, by the president into a song and interwoven it with other general expressions to project the current hardships all around the country in the song. As usual, it got massive impression from music lovers in the country because it was simply spoke truth to power literary. Shatana then followed it up with a nice music visuals a month after.
Check out the song from below.
MUSIC
Bajaa Don And TNB Punchez Unleash Captivating New Single “Maame Yaa”, Produced By Fuji
Get ready to groove to the infectious beats of “Maame Yaa”, the latest collaborative single from the dynamic duo, Bajaa Don and TNB Punchez.
This scintillating track, expertly produced by the talented Fuji, is a testament to the artists’ innovative approach to contemporary music.
“Maame Yaa” is a mesmerizing blend of catchy melodies, intricate rhythms, and soulful vocals, showcasing the unique musical style that has come to define Bajaa Don and TNB Punchez. With its captivating hooks and infectious energy, this track is poised to resonate with fans of cutting-edge sounds.
Checkout the song from below.
MUSIC
Bigboi Collinz Unveils Inspirational Anthem “Saara”, Emphasizing Self-Actualization and Personal Growth
Ghanaian budding musician Bigboi Collinz has released his latest single, “Saara”, a thought-provoking masterpiece that delves into the concept of self-actualization.
Drawing inspiration from Abraham Maslow’s renowned Pyramid of Needs, Bigboi Collinz crafts a narrative that champions personal growth, self-awareness, and the pursuit of one’s potential.
In “Saara”, Bigboi Collinz assumes the role of the protagonist, sharing his personal journey of self-discovery and contentment. He emphasizes the importance of living life on one’s own terms, unfettered by the opinions of others.
With unwavering conviction, Bigboi Collinz asserts that he seeks guidance solely from the divine, unswayed by human influence.
In a bold move, Bigboi Collinz seamlessly integrates Prophet Kofi Oduro’s popular soundbite, “Gyai gyimii no” (Stop misbehaving), to address naysayers who pry into his personal affairs. This strategic inclusion adds a layer of depth to the song, as Bigboi Collinz skillfully employs the soundbite to shame those who seek to undermine his resolve.
Checkout “Saara” from below and share as well.
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