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Azonto Origination: Ga Cultural Bands Are The Real Azonto Originators

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Azonto is a branded Ghanaian dance which became popular in late 2010 but evolved into a music genre around 2012 when the movement was popularized by the likes of Sarkodie, Gasmilla, Eduwordji, Fuse ODJ, etc. There has been debates on the issue of who brought the “Azonto” genre. Many are those who has chosen Gasmilla and many others opting for Sarkodie and others. The following information are some facts put together by ghvibe.com about the real origin of the “Azonto” genre.

The “Azonto” dance originated from traditional performers who danced and sang during theit performances in Accra since 2008. It was only recognized and made famous in 2010 when one of these bands had an erected and entertaining performance at TV3 Music Music in 2010.

Around the time, people got to know the dance better in Accra. People started dancing it in clubs, parties, etc. It then spread to the other parts of Ghana. It was around that time that Gasmilla brought out a song “Boodatoi”, to be a song that goes with the dance. Later the next year, Sarkodie’s song “You go kill me” solidified the claim of “Azontoship” as a music and dance  movements in the country. Then other musicians like Guru, Eduwordji, Stay Jay, Fuse ODJ, etc glorified and globalized it.

 

 

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ENTERTAINMENT

Tillie Gya Defends Shatta Wale, Slams Stonebwoy Fans for Mockery

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Ghanaian Reggae Dancehall artist, Tillie Gya, has come to the defense of Shatta Wale following his performance at Vybz Kartel’s Freedom concert. While some fans, particularly those of Stonebwoy, have been mocking Shatta Wale’s performance, Tillie Gya believes this is uncalled for. According to him, Shatta Wale’s inclusion in the concert is a big win for Ghana and Africa, and should be celebrated.

Tillie Gya took to social media to express his disappointment at the behavior of some Stonebwoy fans. He believes that fan bases in Ghana should know when to celebrate and when to compete. Instead of mocking Shatta Wale, fans should be proud of his achievement and the fact that he is putting Ghana on the map.

The debate highlights the intense rivalry between Shatta Wale and Stonebwoy, two of Ghana’s biggest Reggae Dancehall artists. However, Tillie Gya’s comments serve as a reminder that there is room for all artists to shine and make Ghana proud. By celebrating each other’s successes, Ghanaian artists can work together to take the music industry to the next level.

Tillie Gya’s defense of Shatta Wale has sparked a conversation about the need for unity and support among Ghanaian artists and their fans. As the music industry continues to grow, it is essential for fans to recognize and celebrate the achievements of all artists, regardless of their affiliations or rivalries.

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“A year of excellence” Joe Kole Outshines All in 2024

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In the current ghanaian music space, it will be unfair to give all credit to artists without acknowledging the efforts of music producers.

One producer whom we can not turn a blind eye to his recent works is Wodzrah George, widely known as Joe Kole. From the days of Flowking Stone through to the era of King Paluta and Amerado.


The champion music producer, Joe Kole, has proven to be a timeless producer; recently being behind 80% of hit songs in ghana and being a core influence in the rise of kumerican music vibe.

Top artists such as Strongman, King Paluta, Amerado, Sista Afia, Eno Barony, Rap Father .etc are now big names because of his genius production.

There is no doubt he is a legendary producer and needs to be remembered, applauded, and most importantly, awarded in the coming TGMA.

Rap heavyweight; Eno Barony is out with No Manual album, and Joe Kole produced most of the songs on it.

Joe Kole has shown signs of never slowing down, we hope TGMA acknowledges him. To know him more, you can follow him on

Facebook Joekolebeats

Instagram Official joekolebeats

Tiktok @joekolebeats

You Tube @joekolebeat3605

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