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Divisions In The Gospel Industry In Ghana Stalls Growth – Joseph Matthew Bewails

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UK based Ghanaian Afro-gospel artiste, Joseph Matthew has disclosed that the apparent factions in the gospel industry is creating poor unity among the artistes.

He mentioned that even though he doesn’t reside here but plies his music business in Ghana, he occasionally comes home to promote his works and has noticed the unfortunate happening which is causing great harm to the industry.

In an interview with Graphic Showbiz, Joseph Matthew explained that his position was not mere speculation and neither was he on a mission to court unnecessary attention to himself, but believes the growing trend shouldn’t be encouraged.

“From where I sit, I can confidently say that secular artistes show more love to each other and there is unity among them than our gospel artistes. There are some supposed gatekeepers promoting some artistes in the name of being managers and it appears when you are not part of their team, it is difficult pushing your works.

“Some gospel artistes have been boldly talking about these gatekeepers and factions but no one is paying attention to their concerns.

“I don’t live here but I have experienced it and that is why I’m bringing the industry’s attention to it. It will only breed disunity and slow the industry’s progress,” he stated.

Last December, gospel singer Patience Nyarko called out the likes of artiste manager, Nii Noi and members of the Table of Men for sabotaging gospel artistes who were not in their camp.

Joseph Matthew, however, believes that the problem goes beyond blaming few people in the industry but rather there is the need for a collective approach.

“This shouldn’t be a blame game at all but a time for reflection. We can learn something from our secular artistes and how they even collaborate among themselves. Do we have such high collaborations among gospel musicians? Let’s ask ourselves.” he queried.

With songs such as “Hallelujah”, “Nyame Ye”, “My Story”, “Not Alone” and “The Name” gaining some popularity in Ghana, Joseph was emboldened to host his maiden concert at the Perez Dome in 2022.

He is currently promoting the video of his latest song, Promise Land.

 

Source: graphic.com.gh

ENTERTAINMENT

Bnoskka Urges Shatta Wale to Embrace His High Life Music Roots by Rebranding

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Bnoskka analyzed the Shatta Wale concert in Jamaica with Vybz Kartel. It was a sunny evening in Kingston, Jamaica, as the crowd gathered at the famous Sabina Park stadium, eagerly awaiting the highly anticipated concert featuring Ghana’s dancehall king, Shatta Wale.

Sharing the stage with him was the talented Vybz Kartel, a Jamaican reggae artist known for his soulful voice and energetic performances. As the lights dimmed, Shatta Wale burst onto the stage, his signature energetic vibe electrifying the crowd. With his trademark braids flying, he launched into his hit song “Ayoo,” sending the audience into a frenzy. Vibe Catel joined him on stage, and together they delivered a thrilling performance, blending their unique styles to create an unforgettable experience.

Back in Ghana, Bnoskka, a respected music industry expert, and a lecturer at the University of Education, Winneba also the CEO of PMAGHANA Foundation watched the concert unfold on social media, beaming with pride. “Shatta Wale has come a long way,” he thought to himself. “It’s about time he starts branding himself as a highlife artist.” Bnoskka believed that Shatta Wale’s unique sound, which blended elements of dancehall, reggae, and traditional Ghanaian highlife, was a perfect representation of the genre.

By embracing his highlife roots, Shatta Wale could not only revitalize the genre but also inspire a new generation of young artists to explore their cultural heritage.

Bnoskka shared his thoughts during an interview on Adom 106.3FM’s popular show, hosted by Mike 2, on Saturday, January 4, 2025. “It’s time for Shatta Wale to take ownership of his highlife sound and use his platform to promote Ghanaian music globally,” Bnoskka exclaimed. “He has the talent, the charisma, and the fan base to make it happen. By doing so, he’ll not only cement his legacy as a music icon but also pave the way for future generations of Ghanaian artists.”

As Shatta Wale and Vybz Kartel brought their electrifying performance to a close, the crowd roared with applause, already eagerly anticipating their next collaboration.

Meanwhile, Bnoskka’s words echoed in the minds of music enthusiasts, sparking a renewed appreciation for Ghana’s rich musical heritage and the incredible talent of its artists.

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ENTERTAINMENT

Tillie Gya Defends Shatta Wale, Slams Stonebwoy Fans for Mockery

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Ghanaian Reggae Dancehall artist, Tillie Gya, has come to the defense of Shatta Wale following his performance at Vybz Kartel’s Freedom concert. While some fans, particularly those of Stonebwoy, have been mocking Shatta Wale’s performance, Tillie Gya believes this is uncalled for. According to him, Shatta Wale’s inclusion in the concert is a big win for Ghana and Africa, and should be celebrated.

Tillie Gya took to social media to express his disappointment at the behavior of some Stonebwoy fans. He believes that fan bases in Ghana should know when to celebrate and when to compete. Instead of mocking Shatta Wale, fans should be proud of his achievement and the fact that he is putting Ghana on the map.

The debate highlights the intense rivalry between Shatta Wale and Stonebwoy, two of Ghana’s biggest Reggae Dancehall artists. However, Tillie Gya’s comments serve as a reminder that there is room for all artists to shine and make Ghana proud. By celebrating each other’s successes, Ghanaian artists can work together to take the music industry to the next level.

Tillie Gya’s defense of Shatta Wale has sparked a conversation about the need for unity and support among Ghanaian artists and their fans. As the music industry continues to grow, it is essential for fans to recognize and celebrate the achievements of all artists, regardless of their affiliations or rivalries.

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