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Kirani Ayat calls out gov’t as Nana Addo uses his video without his consent

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Kirani Ayat calls out gov’t as Nana Addo uses his video without his consent

The Ghana Tourism Authority (GTA) claims that it requested permission before utilizing portions of “Guda” in the “Visit Ghana” ad through a “bespoke creative firm,” to which rapper and singer Kirani Ayat has responded.

The company posted the article on Instagram on September 28.

Kirani Ayat sent a press release to the Authority in response to the announcement.

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“I would like to categorically state that NO agency has any RIGHTS whatsoever to my intellectual property,” he said.

The rapper emphasized that he had not granted the group any permission to utilize his video for promotional purposes.

“I, Kirani Ayat, have NOT granted any agency the authority to use my likeness or carry out any work on my behalf.”

The message went on to emphasize that the Ghana Tourism Authority had not disclosed the agency’s identity.

The letter ended by warning the group to disclose the identity of the agency and the signed contracts that formalize the arrangement with the Ghana Tourism Authority.

This comes after rapper Kirani Ayat criticized the government for appropriating parts of his music video, GUDA, without the rapper’s or the music video director, David Nicol-Sey, seeking permission.

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ENTERTAINMENT

BNOSKKA WINS PRESTIGIOUS UNESCO CONSULTANCY CONTRACT

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In a significant recognition of his expertise, Benjamin Oduro Arhin Jnr, aka Bnoskka, has been awarded a consultancy contract by the United Nations Educational, Scientific and Cultural Organization (UNESCO) as the National Expert for the UNESCO Aschberg Program in Ghana.

This contract, which runs from October 1, 2023, to August 31, 2024, is a testament to Bnoskka’s extensive knowledge and experience in creative arts business and intellectual property issues. As the sole national expert, he will be responsible for training 400 emerging artists and cultural professionals across Ghana, equipping them with the skills and knowledge necessary to succeed in the creative industry.

The project, fully funded by UNESCO, aims to promote the creative arts sector in Ghana, contributing to the country’s economic growth and cultural development. The National Commission on Culture, in collaboration with stakeholders in the cultural and creative industries, will organize activities across the country, leveraging Bnoskka’s expertise to ensure the project’s success.

Following a competitive call for expressions of interest, Bnoskka was selected for his outstanding qualifications and experience in creative arts business and intellectual property. As the sole national expert, he will lead the implementation of the project, training 400 emerging artists and cultural professionals across Ghana.

The project aims to:

– Strengthen the creative arts sector in Ghana
– Enhance the capacity of emerging artists and cultural professionals
– Promote cultural diversity and creativity
– Foster international cooperation and collaboration

Bnoskka’s responsibilities will include:

– Developing training programs and materials
– Conducting workshops and training sessions
– Mentoring emerging artists and cultural professionals
– Collaborating with stakeholders in the cultural and creative industries

Bnoskka, a lecturer at the School of Creative Arts, University of Education, Winneba, has established himself as a leading expert in creative arts business and intellectual property. He has organized numerous seminars and workshops, sharing his knowledge with artists, cultural professionals, and students. His expertise spans business development, trademark laws, patents, copyright, branding, and cultural and international relations.

As a published author and researcher, Bnoskka’s work focuses on music, arts, and culture business and intellectual property rights and law. His publications and research have contributed significantly to the field, making him a respected voice in Ghana and beyond.

This contract underscores Bnoskka’s commitment to promoting Ghana’s creative arts sector and his reputation as a leading expert in the field. His involvement in the UNESCO Aschberg Program is expected to have a lasting impact on the country’s creative industry, empowering emerging artists and cultural professionals to succeed.

 

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ENTERTAINMENT

Joseph Matthew: Feeding Ghana’s Gospel Space with a Fresh Wave of Creativity

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Afrogospel vanguard, Joseph Matthew, has asserted that his innovative approach to Gospel music is revolutionizing the genre and inspiring a new wave of creativity in ways of worship.

In an exclusive interview on JoyNews Prime, Joseph shared his vision for a more dynamic and expressive Gospel music scene, where artistry and spirituality converge.

With his latest release, “Fear No Evil,” Joseph is pushing the boundaries of traditional Gospel music, infusing it with the vibrant energy of Afrobeats, hip-hop, and hiplife. This unique sound, dubbed “Afrogospel,” is captivating audiences worldwide and redefining the possibilities of Gospel music.

Joseph’s musical journey began in his formative years, surrounded by the harmonies of his family’s record of music. His father, a seasoned choir director, and mother, a skilled chorister, instilled in him a deep love for music and worship. As he explored various other genres, JM discovered his true calling in Gospel music, merging his diverse influences to create his distinctive way of the ‘Afrogospel’ sound.

Hinting on the immenent release of his debut album, “Solid Rock,” Joseph is set to further cement his position as a pioneer in the Afrogospel movement. Featuring his released singles, including “Fear No Evil,” this highly anticipated project promises to be a masterpiece.

Watch Joseph Matthew’s inspiring interview on JoyNews Prime from below.

Also checkout his latest release, “Fear No Evil” from below.

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