ENTERTAINMENT
“I Feel Fulfilled That Afro Gospel Is Fast Gaining Roots In Ghana” – Joseph Matthew Asserts
For so long a time, the Ghanaian Gospel institute was retarded in growth in event of the international front. The standardized format for Gospel music in Ghana was stagnant for a donkeys years.
The face lift started gradually from the contemporary gospel crooners like Cwesi Oteng, Sonnie Badu, Joe Mettle, Diana Hamilton, et al. There was still room for further improvement because the gospel as according to Mark 15:16 expressed instructed christians to go through every nook and cranny to preach the word. It was therefore the duty of Gospel musicians to convert the word to the very end of the streets in the language they understood best.
Joseph Matthew the ideator of Afro Gospel music in Ghana saw the vision from afar and moved the motion. Although there were criticism against the novel genre, Joseph Matthew pushed it the more further.
His songs like Hallelujah, My Story, Nyame Ye, etc has domineered most Gospel cultures outside Ghana but was finding it difficult to gain roots in Ghana because most thought the genre was cumbersome. Then his songs like, “Not Alone”, “The Name” started gaining roots in the Gospel circles in Ghana because the broad genre “Afro” was fast gaining roots in all music spheres around the world. What actually broke the camel’s back for the total acceptance of the “Afro Gospel” genre was his latest song, “Blessed” close to a year ago. The song climbed music charts both on radio and TV in Ghana. The masses on the streets and in churches also trumpeted the jam excessively. It was no doubt that the genre was now fully functional and Ghanaians were in tune with it.
Then dropped new crop of Gospel artistes like Evans Scott, who had a smashing Afro Gospel hit song titled “Mapeke” last year, Kneeded, Lucky Ekeh, Kingzkid, Fresh Joy Music and a host of other young upcomings who have adopted the genre and making good use of it.
This year’s FootPrint TV’s Celebrity Hangout Party saw ace Gospel musicians appreciating the new crop of Gospel musicians who specialize in urban gospel and the novel genre “Afro Gospel”.
In an interview with Joseph Matthew on what his thoughts were about the rise of the new genre which he played a key part of, he disclosed that he was overwhelmingly excited and that he feels fulfilled that at last the Ghanaian Gospel industry is in tune with the new genre. He also prayed them to support them the younglings who have made it a point in their career to do new things to help push the gospel of Jesus Christ to the ends of the earth.
Check out Joseph Matthew’s “Blessed” from below.
ENTERTAINMENT
Tillie Gya Defends Shatta Wale, Slams Stonebwoy Fans for Mockery
Ghanaian Reggae Dancehall artist, Tillie Gya, has come to the defense of Shatta Wale following his performance at Vybz Kartel’s Freedom concert. While some fans, particularly those of Stonebwoy, have been mocking Shatta Wale’s performance, Tillie Gya believes this is uncalled for. According to him, Shatta Wale’s inclusion in the concert is a big win for Ghana and Africa, and should be celebrated.
Tillie Gya took to social media to express his disappointment at the behavior of some Stonebwoy fans. He believes that fan bases in Ghana should know when to celebrate and when to compete. Instead of mocking Shatta Wale, fans should be proud of his achievement and the fact that he is putting Ghana on the map.
The debate highlights the intense rivalry between Shatta Wale and Stonebwoy, two of Ghana’s biggest Reggae Dancehall artists. However, Tillie Gya’s comments serve as a reminder that there is room for all artists to shine and make Ghana proud. By celebrating each other’s successes, Ghanaian artists can work together to take the music industry to the next level.
Tillie Gya’s defense of Shatta Wale has sparked a conversation about the need for unity and support among Ghanaian artists and their fans. As the music industry continues to grow, it is essential for fans to recognize and celebrate the achievements of all artists, regardless of their affiliations or rivalries.
Buzz
“A year of excellence” Joe Kole Outshines All in 2024
In the current ghanaian music space, it will be unfair to give all credit to artists without acknowledging the efforts of music producers.
One producer whom we can not turn a blind eye to his recent works is Wodzrah George, widely known as Joe Kole. From the days of Flowking Stone through to the era of King Paluta and Amerado.
The champion music producer, Joe Kole, has proven to be a timeless producer; recently being behind 80% of hit songs in ghana and being a core influence in the rise of kumerican music vibe.
Top artists such as Strongman, King Paluta, Amerado, Sista Afia, Eno Barony, Rap Father .etc are now big names because of his genius production.
There is no doubt he is a legendary producer and needs to be remembered, applauded, and most importantly, awarded in the coming TGMA.
Rap heavyweight; Eno Barony is out with No Manual album, and Joe Kole produced most of the songs on it.
Joe Kole has shown signs of never slowing down, we hope TGMA acknowledges him. To know him more, you can follow him on
Facebook Joekolebeats
Instagram Official joekolebeats
Tiktok @joekolebeats
You Tube @joekolebeat3605
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