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“Most Ghanaian Producers Make Fake Amapiano Beats” – Music Critic Opines

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Music Analyst and critic, Lionel has stated that most Ghanaian music producers make just anything and call it  ‘Amapiano’. Speaking on Adom 106.3 FM’s Entertainment Hall with Obidombie Adu Kumi, Lionel explained that this has been so because most of these producers do not research excessively on different genres of music before experimenting them.

He furthered his claim by giving out the background of the Amapiano genre and specifications needed to call a song one.

The genre he said came from South Africa, and it dates back to 2005. It evolved from the traditional Kwaito music, through to Gqom, House and Barcadi music genres. The term ‘Amapiano’ is a Zulu word which means “The Pianos”, is mostly characterized by a one chord progression of a piano, coupled with synths, whistle sounds, airy pads and wild percussive basslines. The contemporary Amapiano genre is heavily armed by banging log drums and high or loud snares which was first introduced into the genre by Mdu/TRP, a South African producer.

The music analyst suggested that it will be worthwhile if Ghanaian producers use the traditional elements (tempo, instruments, drum patterns) in South African Amapiano (which is it’s original form) to the latter before they term their songs as a form of the genre. Either way is a distortion of the genre, and that they should desist from it. ”Better still they should find new names to call their fond hybrids”, he ended.

Watch snippets of his lecture on the show below.

 

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ENTERTAINMENT

BNOSKKA WINS PRESTIGIOUS UNESCO CONSULTANCY CONTRACT

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In a significant recognition of his expertise, Benjamin Oduro Arhin Jnr, aka Bnoskka, has been awarded a consultancy contract by the United Nations Educational, Scientific and Cultural Organization (UNESCO) as the National Expert for the UNESCO Aschberg Program in Ghana.

This contract, which runs from October 1, 2023, to August 31, 2024, is a testament to Bnoskka’s extensive knowledge and experience in creative arts business and intellectual property issues. As the sole national expert, he will be responsible for training 400 emerging artists and cultural professionals across Ghana, equipping them with the skills and knowledge necessary to succeed in the creative industry.

The project, fully funded by UNESCO, aims to promote the creative arts sector in Ghana, contributing to the country’s economic growth and cultural development. The National Commission on Culture, in collaboration with stakeholders in the cultural and creative industries, will organize activities across the country, leveraging Bnoskka’s expertise to ensure the project’s success.

Following a competitive call for expressions of interest, Bnoskka was selected for his outstanding qualifications and experience in creative arts business and intellectual property. As the sole national expert, he will lead the implementation of the project, training 400 emerging artists and cultural professionals across Ghana.

The project aims to:

– Strengthen the creative arts sector in Ghana
– Enhance the capacity of emerging artists and cultural professionals
– Promote cultural diversity and creativity
– Foster international cooperation and collaboration

Bnoskka’s responsibilities will include:

– Developing training programs and materials
– Conducting workshops and training sessions
– Mentoring emerging artists and cultural professionals
– Collaborating with stakeholders in the cultural and creative industries

Bnoskka, a lecturer at the School of Creative Arts, University of Education, Winneba, has established himself as a leading expert in creative arts business and intellectual property. He has organized numerous seminars and workshops, sharing his knowledge with artists, cultural professionals, and students. His expertise spans business development, trademark laws, patents, copyright, branding, and cultural and international relations.

As a published author and researcher, Bnoskka’s work focuses on music, arts, and culture business and intellectual property rights and law. His publications and research have contributed significantly to the field, making him a respected voice in Ghana and beyond.

This contract underscores Bnoskka’s commitment to promoting Ghana’s creative arts sector and his reputation as a leading expert in the field. His involvement in the UNESCO Aschberg Program is expected to have a lasting impact on the country’s creative industry, empowering emerging artists and cultural professionals to succeed.

 

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ENTERTAINMENT

Joseph Matthew: Feeding Ghana’s Gospel Space with a Fresh Wave of Creativity

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Afrogospel vanguard, Joseph Matthew, has asserted that his innovative approach to Gospel music is revolutionizing the genre and inspiring a new wave of creativity in ways of worship.

In an exclusive interview on JoyNews Prime, Joseph shared his vision for a more dynamic and expressive Gospel music scene, where artistry and spirituality converge.

With his latest release, “Fear No Evil,” Joseph is pushing the boundaries of traditional Gospel music, infusing it with the vibrant energy of Afrobeats, hip-hop, and hiplife. This unique sound, dubbed “Afrogospel,” is captivating audiences worldwide and redefining the possibilities of Gospel music.

Joseph’s musical journey began in his formative years, surrounded by the harmonies of his family’s record of music. His father, a seasoned choir director, and mother, a skilled chorister, instilled in him a deep love for music and worship. As he explored various other genres, JM discovered his true calling in Gospel music, merging his diverse influences to create his distinctive way of the ‘Afrogospel’ sound.

Hinting on the immenent release of his debut album, “Solid Rock,” Joseph is set to further cement his position as a pioneer in the Afrogospel movement. Featuring his released singles, including “Fear No Evil,” this highly anticipated project promises to be a masterpiece.

Watch Joseph Matthew’s inspiring interview on JoyNews Prime from below.

Also checkout his latest release, “Fear No Evil” from below.

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