ENTERTAINMENT
The 2022 Gomoa Fetteh Atopa Dance Festival’s “Wild Moves” [Video]
The 2022 Gomoa Fetteh Atopa Dance Festival’s “Wild Moves” [Video]
The yearly Ahobaakese celebration, which draws tens of thousands of people from all walks of life, has helped the chiefs and citizens of Gomoa Fetteh write another chapter in their community’s history.
The festival’s iconic Atopa dance, known locally as Akosualontoba, has served as an amazing finale over the years.
The 2022 celebration of the occasion included the customary rite of remembering how their ancestor Ahor freed them from slavery.
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A fishing and farming community in the Gomoa East district of the Central Region, Gomoa Fetteh, has become very well-known thanks to the dance, which calls for men to swing their waists behind women.
On Sunday, the town was crowded with people having a good time dancing the Atopa.
Watch the video above:
ENTERTAINMENT
Bnoskka Urges Shatta Wale to Embrace His High Life Music Roots by Rebranding
Bnoskka analyzed the Shatta Wale concert in Jamaica with Vybz Kartel. It was a sunny evening in Kingston, Jamaica, as the crowd gathered at the famous Sabina Park stadium, eagerly awaiting the highly anticipated concert featuring Ghana’s dancehall king, Shatta Wale.
Sharing the stage with him was the talented Vybz Kartel, a Jamaican reggae artist known for his soulful voice and energetic performances. As the lights dimmed, Shatta Wale burst onto the stage, his signature energetic vibe electrifying the crowd. With his trademark braids flying, he launched into his hit song “Ayoo,” sending the audience into a frenzy. Vibe Catel joined him on stage, and together they delivered a thrilling performance, blending their unique styles to create an unforgettable experience.
Back in Ghana, Bnoskka, a respected music industry expert, and a lecturer at the University of Education, Winneba also the CEO of PMAGHANA Foundation watched the concert unfold on social media, beaming with pride. “Shatta Wale has come a long way,” he thought to himself. “It’s about time he starts branding himself as a highlife artist.” Bnoskka believed that Shatta Wale’s unique sound, which blended elements of dancehall, reggae, and traditional Ghanaian highlife, was a perfect representation of the genre.
By embracing his highlife roots, Shatta Wale could not only revitalize the genre but also inspire a new generation of young artists to explore their cultural heritage.
Bnoskka shared his thoughts during an interview on Adom 106.3FM’s popular show, hosted by Mike 2, on Saturday, January 4, 2025. “It’s time for Shatta Wale to take ownership of his highlife sound and use his platform to promote Ghanaian music globally,” Bnoskka exclaimed. “He has the talent, the charisma, and the fan base to make it happen. By doing so, he’ll not only cement his legacy as a music icon but also pave the way for future generations of Ghanaian artists.”
As Shatta Wale and Vybz Kartel brought their electrifying performance to a close, the crowd roared with applause, already eagerly anticipating their next collaboration.
Meanwhile, Bnoskka’s words echoed in the minds of music enthusiasts, sparking a renewed appreciation for Ghana’s rich musical heritage and the incredible talent of its artists.
ENTERTAINMENT
Tillie Gya Defends Shatta Wale, Slams Stonebwoy Fans for Mockery
Ghanaian Reggae Dancehall artist, Tillie Gya, has come to the defense of Shatta Wale following his performance at Vybz Kartel’s Freedom concert. While some fans, particularly those of Stonebwoy, have been mocking Shatta Wale’s performance, Tillie Gya believes this is uncalled for. According to him, Shatta Wale’s inclusion in the concert is a big win for Ghana and Africa, and should be celebrated.
Tillie Gya took to social media to express his disappointment at the behavior of some Stonebwoy fans. He believes that fan bases in Ghana should know when to celebrate and when to compete. Instead of mocking Shatta Wale, fans should be proud of his achievement and the fact that he is putting Ghana on the map.
The debate highlights the intense rivalry between Shatta Wale and Stonebwoy, two of Ghana’s biggest Reggae Dancehall artists. However, Tillie Gya’s comments serve as a reminder that there is room for all artists to shine and make Ghana proud. By celebrating each other’s successes, Ghanaian artists can work together to take the music industry to the next level.
Tillie Gya’s defense of Shatta Wale has sparked a conversation about the need for unity and support among Ghanaian artists and their fans. As the music industry continues to grow, it is essential for fans to recognize and celebrate the achievements of all artists, regardless of their affiliations or rivalries.