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The Real Truth Behind DJ Slim, MC Portfolio, Black Sherif, 3Music and KTT’s Uprising

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It is just awkward when everyone is claiming to have directly or indirectly help Blacko’s Kweku The Traveller to propel into it’s greatness.
First of all, let’s take a look at 3 Music Award’s ‘Rainfall’ stunt that they claim was the major factor that made the song thrive. Did they, 3 Music opt KTT amongst many of Blacko’s hit songs for his first performance? If no, then their influence on the song is little. In fact, most Nigerians and other outsiders creating content with the song are not even using the ‘rainfall’ concept but are putting the lyrics to play in their videos.
Secondly, Mc Portfolio is claiming DJ Slim’s incessant attacks on Black Sherif triggered the song’s shine. On the contrary, I think otherwise. Most people in Kumerica know Portfolio is a clout chaser, and his career is entirely built on that. He didn’t even know the difference between, ‘Asakaa’ as a genre, and ‘keche’ or saka’ as the pidgin of Kumasi’s asante twi, but he purported himself as the PRO of the movement. He even did same when he was with Flowkingdom, attacking Sarkodie here and there in the stead of Flowking Stone, meanwhile he was not even told by anyone to do that. For someone like that to make a claim like that, we should know where he is coming from.
For DJ Slim too, most of our industry folks especially those in Kumerica know he is a bigger version of Portfolio in character. He is a snake, hoodoo, jonah and a jinx to the entertainment fraternity in Kumerica. We saw what he did to Flowking Stone, Kweku Flick, Asakaa Boys and now Black Sherif. He projected on live radio that the Asakaa Boys should pull out of 3Music Awards 2020 but later he was seen in bed with them later on. This is to say, they are all genuinely for the trends and money and would like to put every artiste under their umbrella and radar, and if you don’t want to be, they have to create an agenda to pull you down. If Black Sherif’s KTT had failed woefully, they would have come to say, it was because what they brought up against him was true.

Black Sherif’s KTT has reaffirmed the old axiom, “Who Jah bless, no man curse”.

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ENTERTAINMENT

EXPOSÉ: Shatta Wale Sets the Record Straight, Debunks King Ayisoba’s Claim

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A shocking revelation has sent shockwaves through Ghana’s music industry, as dancehall icon Shatta Wale has come forward to dispute a claim made by legendary musician King Ayisoba. The controversy surrounds the circumstances under which Shatta Wale, then known as Bandana, met the late Terry Bonchaka, a Ghanaian music legend.

Terry Bonchaka’s legacy continues to inspire and influence a new generation of Ghanaian musicians. His impact on the music scene was immense, and his friendships with emerging artists like Shatta Wale, King Ayisoba, and Kay Smooth are well-documented. However, a recent interview with King Ayisoba on Hammer Time has sparked a heated debate about how the three met.

In the interview, King Ayisoba made the astonishing claim that he and another artist, Biblicman, were responsible for introducing Shatta Wale to Terry Bonchaka. This assertion has been met with skepticism by many, and Shatta Wale has now come forward to set the record straight.

In a separate interview on “Time With Hammer”, Shatta Wale provided a detailed account of how he met Terry Bonchaka. Contrary to King Ayisoba’s claim, Shatta Wale revealed that it was Terry who rather introduced himself and Ayisoba to each other. This testimony is corroborated by Kay Smooth himself, who shared his version of events in a recent video.

In the video, Kay Smooth explained that he was friends with Terry Bonchaka and attended school with Shatta Wale. When Shatta Wale expressed his admiration for Terry’s style and requested an introduction, Kay Smooth facilitated the meeting. This account provides the final piece of the puzzle, confirming that King Ayisoba’s claim was indeed false.

The controversy surrounding King Ayisoba’s claim has sparked a lively debate about the importance of honesty and integrity in the music industry. Shatta Wale’s response and Kay Smooth’s corroborating account have provided clarity on the circumstances surrounding their meeting with Terry Bonchaka.

As the music community continues to evolve, it is essential that we prioritize truth and accuracy in our narratives.

Watch the videos from all three accounts below:

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ENTERTAINMENT

Taabea GMA UK 24 Awards: Joseph Matthew Honored as “UK Based Highlife Artist Of The Year”

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Afrogospel sensation Joseph Matthew has been honored with the esteemed “UK Based Highlife Artiste of The Year” award at the recently concluded Taabea Ghana Music Awards UK 2024.

This notable achievement is a testament to Joseph Matthew’s innovative approach to music, which seamlessly blends gospel messages with diverse genres, including highlife.

Joseph Matthew is a renowned Afrogospel artist celebrated for his versatility and musical ingenuity. His unique sound, which effortlessly blends different genres, has resonated with audiences worldwide.

With his award-winning song “Promise Land”, Joseph Matthew has demonstrated his ability to merge highlife with other genres, producing a captivating sound that has dominated the airwaves in Ghana and gained significant international traction.

Under the year of review, “Promise Land” made a profound impact on the music scene, leaving an indelible mark on listeners worldwide. The song’s reach and influence made it a clear frontrunner for the “UK Based Highlife Artiste of The Year” award.

Joseph Matthew is proud to announce the release of his latest single, “Fear No Evil”. This highly anticipated track is already making waves across all music outlets, delivering the same level of musical excellence and spiritual depth that fans have come to expect from the talented Afrogospel artist.

Stream/Download “Fear No Evil” Now:

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