ENTERTAINMENT

The Real Truth Behind DJ Slim, MC Portfolio, Black Sherif, 3Music and KTT’s Uprising

Published

3 years ago

04/11/2022

Lionel

It is just awkward when everyone is claiming to have directly or indirectly help Blacko’s Kweku The Traveller to propel into it’s greatness.
First of all, let’s take a look at 3 Music Award’s ‘Rainfall’ stunt that they claim was the major factor that made the song thrive. Did they, 3 Music opt KTT amongst many of Blacko’s hit songs for his first performance? If no, then their influence on the song is little. In fact, most Nigerians and other outsiders creating content with the song are not even using the ‘rainfall’ concept but are putting the lyrics to play in their videos.
Secondly, Mc Portfolio is claiming DJ Slim’s incessant attacks on Black Sherif triggered the song’s shine. On the contrary, I think otherwise. Most people in Kumerica know Portfolio is a clout chaser, and his career is entirely built on that. He didn’t even know the difference between, ‘Asakaa’ as a genre, and ‘keche’ or saka’ as the pidgin of Kumasi’s asante twi, but he purported himself as the PRO of the movement. He even did same when he was with Flowkingdom, attacking Sarkodie here and there in the stead of Flowking Stone, meanwhile he was not even told by anyone to do that. For someone like that to make a claim like that, we should know where he is coming from.
For DJ Slim too, most of our industry folks especially those in Kumerica know he is a bigger version of Portfolio in character. He is a snake, hoodoo, jonah and a jinx to the entertainment fraternity in Kumerica. We saw what he did to Flowking Stone, Kweku Flick, Asakaa Boys and now Black Sherif. He projected on live radio that the Asakaa Boys should pull out of 3Music Awards 2020 but later he was seen in bed with them later on. This is to say, they are all genuinely for the trends and money and would like to put every artiste under their umbrella and radar, and if you don’t want to be, they have to create an agenda to pull you down. If Black Sherif’s KTT had failed woefully, they would have come to say, it was because what they brought up against him was true.

Black Sherif’s KTT has reaffirmed the old axiom, “Who Jah bless, no man curse”.

Related Topics:3 Music Awards Black Sherif DJ Slim KTT Mc Portfolio

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ENTERTAINMENT

Tillie Gya Defends Shatta Wale, Slams Stonebwoy Fans for Mockery

Published

6 days ago

01/02/2025

Lionel

Ghanaian Reggae Dancehall artist, Tillie Gya, has come to the defense of Shatta Wale following his performance at Vybz Kartel’s Freedom concert. While some fans, particularly those of Stonebwoy, have been mocking Shatta Wale’s performance, Tillie Gya believes this is uncalled for. According to him, Shatta Wale’s inclusion in the concert is a big win for Ghana and Africa, and should be celebrated.

Tillie Gya took to social media to express his disappointment at the behavior of some Stonebwoy fans. He believes that fan bases in Ghana should know when to celebrate and when to compete. Instead of mocking Shatta Wale, fans should be proud of his achievement and the fact that he is putting Ghana on the map.

The debate highlights the intense rivalry between Shatta Wale and Stonebwoy, two of Ghana’s biggest Reggae Dancehall artists. However, Tillie Gya’s comments serve as a reminder that there is room for all artists to shine and make Ghana proud. By celebrating each other’s successes, Ghanaian artists can work together to take the music industry to the next level.

Tillie Gya’s defense of Shatta Wale has sparked a conversation about the need for unity and support among Ghanaian artists and their fans. As the music industry continues to grow, it is essential for fans to recognize and celebrate the achievements of all artists, regardless of their affiliations or rivalries.

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“A year of excellence” Joe Kole Outshines All in 2024

Published

1 week ago

01/01/2025

Faya Ghonpoint

In the current ghanaian music space, it will be unfair to give all credit to artists without acknowledging the efforts of music producers.

One producer whom we can not turn a blind eye to his recent works is Wodzrah George, widely known as Joe Kole. From the days of Flowking Stone through to the era of King Paluta and Amerado.

The champion music producer, Joe Kole, has proven to be a timeless producer; recently being behind 80% of hit songs in ghana and being a core influence in the rise of kumerican music vibe.