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HISTORY: THE OSOGBO WAR OF 1840

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After the Fulanis systematically captured and made Ilorin their territory, they sacked the old Oyo Empire in 1835/1636 .

They were still not satisfied with their victory; they wished to extend their rule deep into the heart of Yoruba land. Thus in 1840, they set to capture Osogbo , a Yoruba town. The Fulanis, under the command of Ali , the Hausa balogun of Ilorin, laid siege on Osogbo.

When the king of Osogbo realized that the Ilorins were too strong for the Osogbo army, he summoned the Ibadans for help. Ibadan immediately sent some auxiliaries to Osogbo under the command of Obele alias Mobitan , and Alade Abimpagun. As this force could not stop the Ilorins, another contingent was sent to Osogbo under a more experienced leader. But still the Ilorins won every battle and gained more ground.

When Ibadan realized that the Ilorins were becoming more threatening to Yoruba land, they sent a large and stronger force under Balogun Oderinlo to crush the intruding forces and Jammas of Ilorin . When Oderinlo and his men arrived at the battlefield, they realized that things had gone worse than they thought.

They could not show their faces in the open field for the fear of the Ilorin horses, and for about 20 days after their arrival at Osogbo, they could not fight outside the town thickets. Oderinlo suggested that Elepo, a brave Ibadan warrior was badly needed at the war-front. Elepo had been rejected by the war-chiefs of Ibadan for his actions at the late Agbamaja expedition.

As soon as the message from Oderinlo reached Ibadan, the Bashorun wished he could send Elepo to Osogbo but could not go against the wish of other war-chiefs. The Bashorun gave Elepo a cow to worship his god, Ori , and pray for the victory of Ibadan at the war-front.

At the war-front, the Ibadan could not attack the Ilorins during the day because Osogbo was practically in a plain and the Ilorin horses might have advantage of them with disastrous results.

They decided to attack at dusk when the Ilorins would no longer be able to use their horses. About 2:pm, the well prepared Ibadan army left the gate of Osogbo for the battlefield. They were to keep a strict watch and arrest anyone suspected to be a spy.

About a mile from the Ilorin camp, they halted and arranged the order of the attack.

The Osogbo army and the earlier auxiliaries were to handle the center of the battlefield, chiefs Abitiko and Labuju were to command the right wing, Balogun Oderinlo with the rest of the Ibadan war-chiefs were to form the left wing of the army. The Ilorin camp was then attacked at midnight. The watchword was “ Elo ni owo odo? ” (How much is the ferry fare?).

The reason this watchword was chosen was because the river Osun had to be crossed in entering Osogbo from the south, and anyone who could not tell this was likely to be an enemy.

Stampede engulfed the Ilorin camp as the Ibadan army set it on fire. The Ilorins could not offer the slightest resistance; they were smoked with the gunpowder of the Ibadan guns.

This attack was a success for the Ibadan. Some Ilorin war-chiefs were captured in the attack. Prominent ones were:
1. Jimba the head slave of the Emir;
2. One of the sons of Ali the commander in chief;
3. Chief Lateju;
4. Ajikobi the Yoruba Balogun of Ilorin.
The first two were released while the latter two, being Yoruba by birth, were regarded as traitors and were executed. This was a huge victory for the whole of Yoruba land. After the Osogbo victory,
Ibokun, an Ijesa town not far from Osogbo was taken by the Ibadans for being an ally of Ilorin.
After this war, Ìbàdàn later became a force building a formidable war machinery than later prosecuted many other wars with resounding victory.
Notable among the wars was the KIRIJI WAR where the Ibadan warlords formed a historic alliance with the Igbajos. Even though Igbajo became the war front for many years that the war lasted, it was never captured by the raging Ekiti parapò warriors. Rather it was a place where many of them met their Waterloo.
Notable among the warriors were Fabunmi Okeemesi, Ogedengbe Agbogun gboro of the Ijesas, Apasikoto pasigegele of Igbajo and Latoosa of Ibadan to mention a few. There were many more great warriors of the time.
It’s worthy to note that the KIRIJI WAR was the last war in Yoruba land. It’s also recorded as the longest native war between in Africa.
Since then the Yoruba people have continued to build strong bonds among themselves and they have sustained the peace.

We must continue to tell our children the history of the Yoruba people and the bond which our father had built so that we can continue to see ourselves as one. If the Ibadan people can sacrifice their lives for the people of Osogbo in other to safe other towns and villages in Yoruba land and in essence the carnage of innocent people were prevented, then, we the modern Yorubas have no reason to divide ourselves for political reasons or any reason at all.
Our leaders must continue to put their lives in the forefront to safe the land from all aggression.
And we have the responsibility to support, to advise and to pray for all our leaders.

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Join Rev. Mrs. Shantel Boamah T-K for ‘A Voice From Heaven’ in Koforidua

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Join Rev. Mrs. Shantel Boamah T-K for an unforgettable live worship service, “A Voice From Heaven”, happening on Sunday, 22nd December 2024, at the Christian Redemption International Ministry (CRIM) in Koforidua. This highly anticipated event promises to be an uplifting experience, featuring powerful ministrations from renowned gospel artists.

The impressive lineup of ministers includes Ps. Charles Addo, Elvis Bentil, Celebrants Incorporated Group, Ransomed Ministries, and Ark Of Worshipers. With their combined talents, they will lead the congregation in heartfelt worship, inspiring a deeper connection with God. The event is scheduled to start promptly at 4:00 pm.

To ensure everyone can attend, free buses will be available to pick up attendees at Oteng House, in front of the main Taxi station.

Don’t miss this incredible opportunity to worship God together with fellow believers. Mark your calendars for Sunday, 22nd December 2024, and get ready to experience the presence of God in a powerful way!

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From Ghana to the Global Stage: The Journey of Richard Akoto, Founder of Musicearshot

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Richard Akoto is a Ghanaian music blogger, website designer, writer, and the visionary founder and owner of Musicearshot. A dedicated voice in the indie music scene, Richard has made it his mission to spotlight emerging talent, creating a platform that connects artists with audiences eager for fresh, authentic sounds. Musicearshot has grown into a trusted resource for music fans, curating content that spans a diverse array of genres, from experimental lofi to orchestral pop and everything in between. Among his career highlights, Richard has crafted insightful articles for celebrated artists such as two-time Grammy nominee David Arkenstone and rising hip-hop star Dax, bringing their unique journeys and creative achievements to a wider audience.

 

Born and raised in Ghana, Richard’s passion for music and digital storytelling began at an early age. He was captivated by the power of music to convey emotion and by the challenges many artists face in reaching listeners. This inspired him to establish Musicearshot, a platform designed to support and promote artists by showcasing their stories, creative processes, and artistic influences, allowing audiences to connect with both the music and the stories behind it.

 

Richard combines his skills in website design and writing to create an engaging online experience that goes beyond traditional music blogging. His in-depth reviews, artist features, and vivid storytelling have earned Musicearshota reputation as a go-to space for fans and musicians alike. With a commitment to honest and thoughtful critique, Richard’s work not only brings visibility to lesser-known talent but also fosters a community that celebrates diversity, originality, and innovation in music.

Throughout his career, Richard has drawn inspiration from renowned music bloggers and publicists, aspiring to establish Musicearshot as a prominent voice in the digital media landscape. He looks up to industry leaders who have pioneered the craft of digital music journalism, and he continues to work toward building a legacy that bridges artistic talent and eager audiences.

 

Driven by a deep love for music, Richard continues to make strides in music journalism, creating a lasting impact in the industry and building connections across the globe. His passion for supporting artists and for showcasing their work resonates with readers worldwide, helping Musicearshot grow into a community where talent is both celebrated and nurtured.

 

In his free time, Richard enjoys immersing himself in a variety of music genres, watching films, playing computer games, and honing his web design skills, always with an eye on the next big sound. Looking ahead, he is excited to further expand Musicearshot’s reach, connecting even more artists and fans through his platform.

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